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Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Critical Examination at Ecstasy Generation Era

The work of Portishead co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one important plot development, but it results in a comically executed rampage on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in UK and Irish cinemas from 17 November.

About the author

Brooke Mitchell

A London-based journalist with over a decade of experience covering UK culture and social trends, passionate about storytelling and community insights.

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